Writing and Thou Shalt Nots
Apr. 14th, 2009 10:37 pmWhen I discovered Internet writing communities, I was hammered with a bunch of "thou shalt not"s, as are most writers, no matter where they stand on the experience scale.
Even though I had written a ton by that point (two novels, easily 50 short stories, and a couple novelettes, plays, and poems), because of my isolation, I was vulnerable to peer pressure. I figured that I'd been hacking my way through, making it up as I went along, and so must have picked up a ton of bad habits. If the "Internet" says it's right, I must, therefore, be wrong.
To this day, I'm still fighting the impact of that period in my writing career, and to some degree, I'm still vulnerable and carrying out "thou shalt"s that if I took a step back and looked at them, are insane.
Ones I've conquered include "thou shalt not use the verb 'to be'" and "thou shalt not use 'that'" (which has the dangerous companion of "thou shalt replace 'that' with 'which' at every opportunity where 'that' cannot be purged," something resulting in broken grammar on top of unintelligible sentences).
My father broke me of "that" simply because he could not comprehend my sentences and wasn't willing to jump through the elaborate hoops expected so we can avoid a perfectly good word that (note ;)) happens to stand out when overused.
However, this concept has recently hit me on two fronts. One of the processes suggested by Holly Lisle in Thinking Sideways contradicts the "general rules" and is actually something I used to do before facing those same rules and bowing to them.
A while back, a friend edited a book for me that had two separate voices, one omniscient and one close third. She said choose one...but more importantly, choose either. I had a strong omniscient voice when I started writing that was crushed out of me, so I've substituted with a super close third. Now that change I regret with a vague sadness, but a close third is more of what the market is looking for and I'm happy with the new style, except that my third is SO close that it sometimes confuses people. SIGH.
But it's a more recent happening that brought me to writing this post.
I am in the process of collecting the crits of From the Sea (Selkie) into a single document so I can evaluate the trends. First of all, if the OWW trend of controversial stories succeeding holds true, I've got it made :p. I'm working on the third of four and there's significant disagreement about certain characters and situations :). But that's beside the point.
In going through this story and seeing their comments, I realized, had a full-on DUH moment, that I'm still crippled by one of those "thou shalt not"s.
Some time back, I was told not once but repeatedly that it is a point of view (POV) slip to say someone smiled because they can't see their own face. This started an endless round of arguments and warped my writing FOREVER!!!!! Okay, drama over, now that I've realized it, I can fix it too.
Instead of avoiding the act in the POV character, I went about coming up with ways that made obvious what we all know, which is that we KNOW when we smile. So I have smiles curling lips and pulling cheeks and...(sounds familiar? ;)) It's too much. It's ridiculous. It's annoying! I do not question why my critters pointed it out in the feedback. I question how I could have continued on this vein without realizing myself that I'd been had.
Double SIGH.
So I have my work cut out for me in this edit, in the edit of everything written prior to this moment, and in the writing of everything ever after, but I will break myself of this bad habit. I will rise above the "thou shalt"s and just write.
It seems to me there's a sense among writers that every opinion must be validated to hold weight. It's not enough to say this seems awkward to me, but rather some rule must rise from the deep to put authority behind the opinion. Only trouble is that the opinion gives writers a choice whether to adopt the change or stick with what they have. These manufactured rules, though, either make the critter seem foolish or can scar the writer for some time to come.
There are rules about writing. Grammar rules that are fixed (or mostly so) like capitalization and putting an end punctuation mark at the end of a sentence. What people need to remember is style rules are not rules. They're at best guidelines and at worse yokes around the necks of people trying to succeed.
The only rules I've heard that stand firm for me are these:
1) Thou shalt not confuse the reader (unless it serves a plot purpose).
2) Thou shalt entertain.
And, as you can see from the parenthetical phrase after the first, even those have caveats.